HBO’s award winning mini-series version of the Pulitzer Prize winning play Angels in America, tells the story of three disparate gay men whose lives are connected by the AIDS epidemic. One of the characters, who is in the middle stages of the disease, ( although this post is not about AIDS, it is worth it to note the rate of infection is increasing in a way it should not be this late in the game), offers the idea that it’s necessary to go through a time of incredible horror in order for real, profound, societal restructuring to occur. A watershed.
In context, the character, Prior Walter, who has caused harm to no one except himself, perhaps, yet finds himself on the truly shit end of the stick (sick & alone) is trying to come to terms with the senselessness of and the unfairness of his incredible suffering and inevitably painful death.
It is not a particularly bad rationale to give deep suffering purpose, especially if that anguish, despite being in plain sight, is met with the callous myopia of the unaffected majority.
Unfortunately, you don’t have to look very hard around the world to find circumstances that qualify. Angels opens with the funeral of a Holocaust survivor as the framing device. A scene worth checking out, not just for the idea, but also for Meryl Streep. The mini-series is an ensemble piece and the actors play multiple roles. Emma Watson and Jeffrey Wright are also pretty awesome in their subtlety and slyness.
The idea has stuck with me since I saw Angels, and as much sense as it might make sense, by and large these horrors are 100% preventable. Who wants to be the one to look the refugee, the kidnapped, the dying, and on and on in the eye, and say, sorry it’s just a thing you have to go through so the rest of us can move forward?